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Making gabber kicks and making them not take over your mix?


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#1 Kobold Geomancer

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Posted 05 September 2015 - 23:06

I've been dabbling in some Breakcore and as such I was listening to some tracks to get ideas. I heard some gabber kicks and I always wondered how people made those kicks and, more importantly, mixed them in without muddying up the mix. I understand that there are a ton of different tutorials online, but most of them use licensed software (a lot of ohmicide). I was wondering how you can emulate the kind of distortion within Renoise's native fx and how to create the kicks using free software like Synth1. I've tried sidechaining and it's worked but I still feel like the kick can take over the mix.

 

Any thoughts, links, or tricks?



#2 Skolskoly

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Posted 06 September 2015 - 01:26

I can't say I'm an expert with the genre, but I've found that adding a cabinet effect to the distortion chain can take out some of the mid "bloat" that interferes with a mix. Here's my go-to for a nice gabber style distortion:

 

Distortion:

    Shape

    100% Drive

    -6db wet,

    -2db dry,

 

Cabinet:

    All Classic, Event-off Axis, Breakdown (some sound off, but most are fine)

    10% Gain

    40% wet

    60% dry

 

works well with 909s and that sort of thing.


Edited by Skolskoly, 06 September 2015 - 01:57.


#3 Robb Walker

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Posted 06 September 2015 - 07:11

Tip: Use filters to remove sub frequencies from the off beat/tail of your kick


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#4 Lethargik

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Posted 14 September 2015 - 23:29

you got an example of one your tunes?



#5 lwpss

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Posted 15 September 2015 - 09:25

Use 909 kick, split it into sub part and the rest part. Leave the sub part as it is, distort the fuck out the rest part with distortion, cabinet simulator, add some EQ, do whatever you consider useful.



#6 memero

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Posted 20 October 2015 - 07:24

Hi 13^2,

creating a Kick drum usind no samples is quite simple using native Renoise tools.

1_ create an empty sample
2_ the effects chain: Dc Offset (value: more than 0) > RingMod (choose your wave form) > LFO (pointed to the RingMod frequency controller) > Velocity Tracker (which resets the LFO everytime you will trigger a note)
3_ Distortion/Reverb/Echo etc etc.
 

 

About mixing it with the rest of the tracks.. you could create a dynamic volume behaviour..

 

Native Signal Follower > Hydra > track Mixer volumes

Basically is like creating a sort of dynamic volume machine that is going to attenuate the volume of the breaks only when the kick drum is playing.

 

Example: check the "Jonas the Plugexpert" tune in MB5 (http://www.trotch.com/mbc/)
 

Hope it helps.


 


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#7 Metroid909

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Posted 17 August 2017 - 05:11

Hey, first post!

 

Gabber kick:

 

Have a channel and bassdrum designated to each octave frequency in the key of your song with the kick tuned accordingly...

 

example: A minor, Kick is tuned

Channel 1 - Kick - Filter and/or EQ 55Hz - Distortion, Compression, Etc

Channel 2 - Kick - Filter and/or EQ 110Hz - Distortion, Compression, Etc

Channel 3 - Kick - Filter and/or EQ 220Hz - Distortion, Compression, Etc

Channel 4 - Kick - Filter and/or EQ 440Hz - Distortion, Compression, Etc

Channel 5 - Kick - Filter and/or EQ 880Hz - Distortion, Compression, Etc

Channel 6 - Kick - Filter and/or EQ 1760Hz - Distortion, Compression, Etc

Channel 7 - Kick - Filter and/or EQ 3520Hz - Distortion, Compression, Etc

Channel 8 - Kick - Filter and/or EQ 7040Hz - Distortion, Compression, Etc

 

Adjust and play around to taste. This may seem excessive but you can always remove and adjust later. Now you also know how to make techno.

 

Some distortion/compression glue on all channels would probably help unite everything into one sound.

 

1760Hz (or maybe another frequency) is often called the attack. It should be short or a click and no other frequencies should touch this frequency in the mix. It is very important for your kick to exist and your track to function.

 

Schranz/Hardtechno kicks are similar but with more emphasis on lower frequencies, compression, and reverb.


Edited by Metroid909, 19 August 2017 - 09:06.


#8 Jealousy

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Posted 20 September 2017 - 13:22

my main strategy is to use lofi down to 2-4bit to make the kick crunchy.

then add disto, eq, cabinet (experiment with the order in wich the dsps take place), render the sample and then use it to start all over until it's what i want

sometimes i use a second layer to create some roaring or noise or whatever in the higher frequencies.

you can listen to lots of stuff i made (mainly speedcore) here

 

www.jealousy-speedcore.de

 

greetz Rob


Edited by Jealousy, 20 September 2017 - 13:24.

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www.schlachthof-productions.de


#9 Dylan G

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Posted 20 September 2017 - 17:52

Hi 13^2,

creating a Kick drum usind no samples is quite simple using native Renoise tools.

1_ create an empty sample
2_ the effects chain: Dc Offset (value: more than 0) > RingMod (choose your wave form) > LFO (pointed to the RingMod frequency controller) > Velocity Tracker (which resets the LFO everytime you will trigger a note)
3_ Distortion/Reverb/Echo etc etc.
 

 

About mixing it with the rest of the tracks.. you could create a dynamic volume behaviour..

 

Native Signal Follower > Hydra > track Mixer volumes

Basically is like creating a sort of dynamic volume machine that is going to attenuate the volume of the breaks only when the kick drum is playing.

 

Example: check the "Jonas the Plugexpert" tune in MB5 (http://www.trotch.com/mbc/)
 

Hope it helps.


 

Will try this when i get home.



#10 thanatos

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Posted 22 September 2017 - 20:31

you should ckeck the list of tutorial i'v made about crossbreed and breakcore

https://satanicalbot....wordpress.com/

a good kick is three part

a clean kick really short to click at the beginnning

a high distortion take anything put a pitch env AD and mess till it' good (sometime multiple distortion is needed)

a sub part take a 808 kick and boost a 50 Hz


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#11 thanatos

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Posted Yesterday, 17:02

http://forum.renoise...re-techno-kick/


Satanical Bots Ritual : For your daily mix and news darkstep /breakcore / technno-dnb/ Crossbreed

 

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