i prefer vst that directly to do this, nothing more or less
chek it , Hotelsinus Reesebassline
haven’t read the thread (so some one else might of mentioned this allready) but, If you’re making a Reese bass. my tip is
automated ‘notch’ filter + cabinet emulator (or whatever it’s called again) on that bozo jazz setting? I mad some heavy reese sound with that.
WORD 
OSX Version PLZ?
Hey guys. I’m not very active on the forums but I have been using Renoise for a while now. I have been following this and other dnb/reece bass discussions and decided to give it a go.
The first reece is two saws detuned, resampled, distorted, resampled, duplicated to two tracks one for high freqs and one for mid freqs and processed.
The second and third reeces are the same sample but processed in different ways. The sample was made from three saws detuned and resampled. Originally the second and third reeces were to be combined into one but I couldn’t get them to gel together so I decided that they sounded better separately.
I added the sub as a reference. There might be some clipping, sorry.
I made these on headphones so I’m not sure how good they will sound.
Any tips or feedback on how I could improve would be greatly appreciated.
http://www.mediafire.com/file/gzhtzkyuyyy/AMIDOINITRITE.xrns
one tip for the last reece!
try to modulate the sub bass, too (use the same curve you used at the mids). but use volume instead of cutoff.
Surely that would be better posted in the Meow Meow thread, what’s it got to do with D&B Basses, or are you on too much to know what you’re doing?
That guy really doesn’t come across as a very good spokesman either!