Btw… refering to this and the inefficient sample routing I mentioned here, this is what’s currently used in the background, when faking a single unison oscillator with just 8 notes:
- 512 envelopes, 1024 assigned parameters, 128 envelope modulators.
when a proper concept would only need
- 8 envelopes, 32 assigned parameters and 16 envelope modulators.
If I was going to fake a common 4 oscillator unison setup, it would be Renoise using for 8 voices
- 2048 envelopes, 4096 assigned parameters, 512 envelope modulators
And there are still no parameters like keytracking, velocity, LFOs and so on counted in yet. So it’s quite well possible, the whole Renoise usage becomes even a multiple of the above mentionend in the end. Using a filter, there would be running 64 Filters in Renoise, on a faked Sylenth1 setup it would be 128. When actually 8 / 16 would do the same in a properly designed concept.
What a tour de force. Happy renoising! You could also use your processor from 10 years ago with some other DAW of today. The result would most probably be the same or better. Just making way more sense for editing sounds. “Some redundancy”… what a bad joke.