so, Ive been working for a few yrs now trying to get a live set of my own psychedelic trance and hoping to find a way to do it with Renoise.
And, Im now around 90% Renoise based in my live set.
Rewired Renoise into Live 7, 2 sets of kick, bass, and percussion tracks, one active one passive, that toggle with a microKONTROL pad press. Drum kit set to a pad rack scene, and whew was it stupid-easy compared to the headache i got trying the same thing with Live.
Some synth tracks too, still building up a bank of em, so far an ABL2 for acid flavoring and various low cpu virtual analogs.
Everything is routed to their own Live channels, bass and kick taking advantage of Live’s handy single-channel (IE mono) through-put option. The pads on teh microKONTROL come in very handy for channel volume that I dont want changing, which is everything but the synths really , set em to toggle off/on. Fun too, basically channel kills this way that let me stutter, cut, and in the case of the toggles for active/passive channels in Renoise, slap back and forth btwn patterns. Fun stuff
Previously i was using Renoise mainly as a bass box rewired and an xrns with racks of basslines to choose from. This was an ok setup, but TOO ABLETON! Too much MOUSE!!! too much frustration trying to sequence on the fly in a piano roll with a mouse, too often finding that some Live quirk made me wish it was Renoise-easy…
Now all sequencing is in Renoise, no racks of basses, nothing pre-sequenced, which is what I really wanted to accomplish, something I can improv with. Still working on smoothing the flow but happy that the only thing I need Live for is syncing audio. Ive got a rack of nice percussion loops in Live to add more meat, and a rack of speech samples, and a dj channel with my own tracks. So basicaly its a live/dj set, i bounce from live sequencing to studio tracks now and then when i want to have more time to sequence. Surprisingly i dont really play the tracks as often as i thought
My problem though is that ive used Live for too long, Ive gotten too used to its interface for live play. Its a different approach, both using REnoise and going full-improv. But Im loving it.
Since its psytrance, using 2 nonsynced Renoise instances isnt ideal. I prefer smooth uninterrupted dancing when im dancing, so i try to make my sets smooth and flowing, get the trance going, forget the body, ignore teh boundaries btwn the music and self, and get into That Spot, that had people making rhythms to dance to thousands of years before musical instruments were available (they still do it the old way in the Kalahari I was pleased to find). Also Ive worked hard trying to make a live set that never repeats itself, avoiding using full tracks, even broken into pattern loops. Tried that, it was fun, but I really got bored pressing play all the time, wondering how one can justifiably call that live… I really hope to be able to realize the goal, and im CLOSE! And its all thanks to Renoise.
I just have to find a good set of master channel effects to break up the doof doof a bit more, and smoothly. So far, MDSP LiveCut, K Kammerle vinyl-esque plugs, and some others are what ive got on there right now. LiveCut in particular is really cool once you get the hang of what its doing. And oh yeah our friend dblue’s fancy plug gets in tehre usually. Ive even had teh idea of setting 16 instances of the Glitch all with randomized sequences and fx, setting them all to the pad rack, and going nuts with randomizations randomizing random randomness . I like it random, its almost as if the Glitch is playing live itself , and its very much in tune wiht the idea of non reproducibility.
But more fx suggestions are welcome !