jaja…no ha liedo el libro tambien y tambien no has visto en espanol…pero si.es una pelicula stupendo…unas de mis diez mejor mas o menos…
que fuerte no…eso parte de pelicula…
I saw in a post you live in the mountains…I am not familiar with Argentina, I do have a friend who lives way down south in the coldest part, forgot what its called.
Anyways, to try to keep this thread on track: Remember kids, for phatt sub bass all u need is a sine wave
Edit: Forgot, I wanted to add for Cat Hero. Defo get Massive if you want, can’t go wrong with it…I have tried it and gr8 sounds coming from there. My point was, don’t get caught up in the hype that you need to spend tons of money of “professional plug ins” and hardware to make gr8 music or get fatness or whatever.
Its a bunch of bs, be careful of going on certain forums (not this one) as you can easily be influenced by some “pros” (who make no money from music) will tell you need this and that.
Easily to be influenced when you are starting out. I am lucky as I am hard-heaaded and only listen to myself. Thusly, I make all my tracks w/ free (yes legal) plug ins and get a phatt pro sound…granted I am still refining my production technique, however, basically there. It all comes down to sound selection, arrangement, mixing etc…thats the only message I wanted to get across
I agree with pure sine, try to send it to a bass amp and then record it again, it will add some great harmonics and compression that will make it sound more fat.
I saw the movie in English but with Spanish subtitles. One of my favorites (plus Stalker, Donnie Darko, Apocalypse Now, The Godfather, Natural born Killers, and a lot of Werner Herzog documentaries)
I live in the south of Argentina, in Bariloche, maybe he lives more in the south, Tierra del fuego is the southest place before Antartica.
On topic: Native instruments are great, but very expensive. And I think is better to learn about waveforms, DSP and production techniques before, because you can have Massive but dont have any idea about how to use it (besides using the presets)
Ooh an extra little tip. That little click between notes is caused by the waves not joining smoothly. You’ll get a little annoyed with the maths, but do slides instead. worth the trouble. Test this by playing the desired note shortly after the slide, if you’re right the pitch won’t change, but you’ll hear the little click.
If you want hardware:
I have used store demos of the Korg, never owned. I does not seem very well built, but the sound is ok. I do If you want something a bit more solid, I owned an Ion for years and that held up to its share of abuse. Based on that experience, I would consider the Micron as an alternative.
Subbass is quite simple to achieve as stated above but I really advice you not to buy a microkorg if you’re going hardware, I’d simply use software for this.
I’ve tested a microkorg and the sound is fine it’s just not very convenient programming and editing, also filter automation is not quite easy. The thing is you can get a lot better synths for the price of the Korg.
If you want to use hardware you better get like a Moog MG-1 or a Novation X station (goes really deep with the subs, also for square subs in combination with the filtering.) If you by any chance have a decent analog mixer sometimes the EQ is also very useful for adding some low frequency. (while using hardware that is)
Whilst much of the info/links in this thread can be useful in their own right, I believe it can steer many a newcomer off track…it is the craziest idea to believe you need so much equipment or vsts to do basic things!! SERIOUSLY just put the renoise chip .xrni at the right volume in context of the track and layer accordingly of course…I am sorry but the idea of using a vst for a sub is just beyond superflous!
I rattle subwoofers regularly with the built-in .xrni!
I have included my original response for those who missed it…
edit: if ppl are wondering where this semi-rant is coming from, the poster tryed out my suggestions and realised this was the way forward quite some time ago…sometimes i feel as if ppl don’t read through the threads completely b4 posting a response to see if they are actually being helpful or not!
The answer to where to find Good, Fat, Sub-bass is Renoise, case closed!
This is something that should be embraced as there are many things that we do have to look elsewhere for!
did the trick 
but that´s why i love music production !
