I saw the movie in English but with Spanish subtitles. One of my favorites (plus Stalker, Donnie Darko, Apocalypse Now, The Godfather, Natural born Killers, and a lot of Werner Herzog documentaries)
I live in the south of Argentina, in Bariloche, maybe he lives more in the south, Tierra del fuego is the southest place before Antartica.
On topic: Native instruments are great, but very expensive. And I think is better to learn about waveforms, DSP and production techniques before, because you can have Massive but dont have any idea about how to use it (besides using the presets)
Ooh an extra little tip. That little click between notes is caused by the waves not joining smoothly. You’ll get a little annoyed with the maths, but do slides instead. worth the trouble. Test this by playing the desired note shortly after the slide, if you’re right the pitch won’t change, but you’ll hear the little click.
If you want hardware:
I have used store demos of the Korg, never owned. I does not seem very well built, but the sound is ok. I do If you want something a bit more solid, I owned an Ion for years and that held up to its share of abuse. Based on that experience, I would consider the Micron as an alternative.
Subbass is quite simple to achieve as stated above but I really advice you not to buy a microkorg if you’re going hardware, I’d simply use software for this.
I’ve tested a microkorg and the sound is fine it’s just not very convenient programming and editing, also filter automation is not quite easy. The thing is you can get a lot better synths for the price of the Korg.
If you want to use hardware you better get like a Moog MG-1 or a Novation X station (goes really deep with the subs, also for square subs in combination with the filtering.) If you by any chance have a decent analog mixer sometimes the EQ is also very useful for adding some low frequency. (while using hardware that is)
Whilst much of the info/links in this thread can be useful in their own right, I believe it can steer many a newcomer off track…it is the craziest idea to believe you need so much equipment or vsts to do basic things!! SERIOUSLY just put the renoise chip .xrni at the right volume in context of the track and layer accordingly of course…I am sorry but the idea of using a vst for a sub is just beyond superflous!
I rattle subwoofers regularly with the built-in .xrni!
I have included my original response for those who missed it…
edit: if ppl are wondering where this semi-rant is coming from, the poster tryed out my suggestions and realised this was the way forward quite some time ago…sometimes i feel as if ppl don’t read through the threads completely b4 posting a response to see if they are actually being helpful or not!
The answer to where to find Good, Fat, Sub-bass is Renoise, case closed!
This is something that should be embraced as there are many things that we do have to look elsewhere for!
i know im beating a dead horse here, but get TAL tube (free vst/au plug) and put it on a channel. drop the sine wave sample that comes with renoise on the channel as an instrument, E1-A1 or so = badass sub bass. i use that in all my tunes and every producer i know asks me how i get my sub so large
did the trick 
but that´s why i love music production !
