Originality

Here I am posing a question about originality and how a work of art (not necessarily just music) is perceived by the public.

I am contemplating writing a piece of electronic music in a time signature other than 4/4. I have only done a few in the past, and I have been wanting to do one for a long time, but I just haven’t been ready yet. Recently, I have heard a song by a well known artist called Wax Poetic that is essentially a house song, although it is in 3/4 time. (Very cool how they did it). I am now desiring to do a 3/4 house song. I don’t want it to sound like the Wax Poetic song, I am not trying to imitate them. Obviously I will have to use a lot of their rhythmic structure to make it both 3/4 and also house)…

my question:
but i am wondering, would anyone consider it unoriginal of me to make this track? would anyone criticise me and say “hey, you are lame because you copied that wax poetic song” because it is a unique piece of music? (it is the only 3/4 house song i have ever heard).

another question:
would anyone say the same thing if i did a 4/4 house song? probably not, because there are already zillions of 4/4 house songs out there.

so… what makes it necessarily “better” to imitate the many instead of the one?

in another context: there is a new video game out called “darwinia”. I haven’t actually played it, but it is supposed to be very unique. What if i was a video game developer, and I made another game in the same genre and style as darwinia? I am positive that magazines and websites would harshly criticize me as being totally unoriginal and ripping off their ideas. However, if I made a generic 1st person shooter similar to quake, halflife (etc), i doubt i would get as much criticism for being unoriginal

why is this?

why are we predisposed or conditioned to feel “OK” about imitating the common, but to feel “bad” about imitating one person’s originality? it really doesn’t make much sense. is it because you can more easily pinpoint the originator of the few creative works? but if i made a first person shooter, you could still say it is a wolfenstein 3d clone (or whatever the first real fps game was), same as if i made a 4/4 house music song, you could say it is imitating whatever the first song to be considered house is.

no matter, i am still going to make a 3/4 house song, and it is not going to sound like the wax poetic song.

but i am just curious

any thoughts?

Too much thinking. Go compose.

:P

You can review those ideas from at least two different perspectives:

  1. This is the waste of your own native source of inspiration that should be served from the nothing:
    You can only be original when everything you make is completely your own.

2.Existing art is the required feed for improvement of art-quality.
Without art from others, we would not have enough influences to base our new ideas upon.

If you would consider perspective 1, how long would it take before everything created could no longer be unique anymore. Should artists stop if they don’t seem to be able to produce any original concept?
Should we patent our art and the details of our art to state it’s uniqueness?

If you would consider perspective 2, then what is the quality of art and should it be qualified?
Doesn’t every artist deserves his/her own respect for his/her own uniqueness?
Taste differs, the amount of people will determine if art is considered great or unlikable, but only the artist can determine if he/she is happy with the audience and the critics for the art.

Is someone who performs an Elvis act an imposter, copy-cat, a fan that tries to keep him alive or is he a true artist that preserves the live act of Elvis which can’t be preserved in any other way?

It’s just part of expression. In some cases the message within counts and in some cases, the artist leaves the imagination up to the audience and let them decide what they are dealing with.

I prefer the last idea:let the audience decide what they are dealing with, it’s a way to spend your life considering things and may be in most cases indirectly attached to who the members of the audience personally are or what they expect from life.

These are all interesting questions that reflect many deep-rooted philosophical (particularily epistemological) issues.

(Put in a wider context, the question is: What is the developmental nature of the status quo? What factors are involved in shaping the jurisdictional policies and the criteria for something being “reasonable”, “normal” or “proper”, e.g. in regard to public display controversies, patent- and copyrights conflicts… the list goes on and on.)

One issue in particular is always at the very heart of the music industry: What can properly be owned (i.e. copyrighted) in the realm of abstractions? Maybe in a dystopian “capitalist” future Renoise trackers will have to pay a royalty fee for playing the C-major chord – in such society there is no such thing as commonwealth or public domain. On the other side of the spectrum is the dystopian “socialist” future: you cannot claim any personal borderlines at all, your mind and all of its productive fruits is the property of the people. Thus, future Renoise trackers will compose, not for personal fame or satisfaction, but in order to obey the dictates of the so-called “public”.

Personally, I think we will see a more “capitalist” future for artists and other mind-workers. This situation will be more common: you compose a piece of music and want to publish it. But, it might be the case that someone will sue you for “stealing their intellectual property”. And you don’t want to risk that, considering that now in the year of 2045 the big companies own and patent particular sounds and phrases (e.g. the C1-C1-C2-C2 bass). So you will have to pay a cyberlawyer and a dataminer in order to find out whether your piece is “safe” to publish at all.

This kind of discussions are very common within the transhumanist community (yes, I am a transhumanist myself). For more information on transhumanism, check out for instance http://www.transhumanism.org/ or the Extropy Institute at http://www.extropy.org

IMO, art depends a lot on borrowing ideas… now where did wax poetic borrow this 3/4 idea? waltz?

This site has some interesting stuff about copyright:www.artliberated.org

Funny, I’m a trancehumanist.

damn shit, now to do an original work i will have to do a song in time signature 137.5/379

critical thinking is why i always used to stifle my own work before i even got started. i have tried to not do that lately though

Just make some cover songs and modify them as you like. Thats what I do :P

The problem with all kind of music is, that:

1.) the consumer is “trained” to specific styles of music.
2.) The music has to sound “natural”, because music that sounds totally unnatural usually gets bad critics. With “natural” I mean that our feeling about music and fequency-information is genetically inserted.
Take effects like delay for example: If you use too much feedback, the sound gets distorted and it gets louder and louder. In our brain, sounds that increase unnaturally mean danger (like a train that comes towards you) and we will find that sound really frightening.
3.) This also concerns melodical aspects: If you play the notes C, E and G you are playing with Dur-Chords which usually sound happy. Do the same with C, Dis and G and the listener will call this sound sad or unhappy.

This is all basic musical knowledge which was created way time before Mozart, Bach or Edvard Grieg. Music developed from usual sounds (like a waterfall) to complex melodies (like the singing of whales) and so being original is very hard to do. But there is still some room for originality:

Think about “Enigma - Sadness” in which the composer (Michael Cretu) mixed gregorian christian chorals with an 808-drum-machine and a Pan-flute. This thing was a blockbuster in the 1990s, because nobody did something like this before. But there already existed those chorals and the 808 was also existing at this time.

Or Jay-Z and Limp Bizkit (or the other band which name I always forget): They mixed Hiphop and Metal. But this had already been done by “Aerosmith”

Check out http://www.coverinfo.de/main.php and try to find some songs you like. The most titles are completely cover-versions, nowadays.

Wilson Mizner, a dramatist from USA who lived betwenn 1800 and 1900, said:
“If you steal from one author it’s plagiarism; if you steal from many it’s research”.

Sadly, this is how it goes.

I’m not a dramatist, but once I said:
“To have a style is to invent once and sell it forever,
to be creative is invent always and sell it never”

That’s a good one.

the thing about that is, though, that both gregorian chants and electronic music had already been around. all he really did is combine 2 existing genres. is that really creating something new? i think creating something new is like inventing a sound that nobody has heard before, stuff like that

To combine two things into something new is to invent and that is to be original. He created a new genre that noone had never heard before.

Anyway I think what is just as important is that you can be original in good ways and in bad ways.
In art everything has for a quite some time now evolved only around being original. It has resulted in lots of bad art that only tries to be original.

However if you can do something that maybe is not original but it has soul or something to say I think it wins over something that is original but lacks soul.

Allmost anyone can be original its not that hard.
The hard part is doing something good.

i think that no matter what you do it will always be a permutation an even sometimes an emulation of something that has been done previously before. originality with music is a fascade that only resides in the eye of the beholder. it gives one the arguement that, this person owns this idea or something of that nature. which is really not true because in order to have something completely original it must lack any kind of outside influence. musicians learn to play instruments by practicing other peoples music, during that time they are picking up influence from those pieces the structures form a basis they learn from.
for instance, every word you know has been brought to you from an outside source. so every song you write is a mixture of all of those influences. how could that be original with so many many outside influences?
then you wonder, well what if i did make a sound, that no one has heard before? the reason you hear that sound is because you learn how to listen, so everything that leads up to you hearing that sound has been under the influences of outside sources. everything you or whomever did that lead up to you hearing a sound you had not heard before, has been done because. we have already discovered sound. :D

Whoa.

I think, therefore I Renoise.

I find some of my creations original - some agree, some not
I find some of my creations entertaining - some agree, some not

Why you ask us this question, you have to ask it yourself.
If you feel like it, go for it. If you don’t like the idea, leave it.
it’s your music, and there will always be people who would like it and dislike it.

I also love to make/love original songs, but sometimes I can’t help myself singing maya hee maya hoo maya haa maya ha ha !!!

I find your beard rather original these days…(don’t mean it offensive, it’s cool!!!)

Are you sure? I´m not, as far as i know I newer heard of such law.

I think quite the opposite, things can be original despite being influenced.
Ofcourse things can be more or less original. But things can even be original within a genré. There can even be original pop.

Something is original as long as noone else have done it or do it the same way. And in a way yes the one who did invent a genré first owns the fact the he/she was first.
What he does not own is the genré, anyone is free to imitate what he/she did, I don’t even think its bad to imitate a genre or a sound. Why? Because some people will even end up doing it better than the original creator of the genre or they do it in a different way expanding a genré or just keeping it alive.

I know some people claim that the original is allways best, but that is just pure bullshit if you ask me. There is nothing that say that a follower can´t be better than the creator. Sure perhaps he did not invent the genré but he might still do it better or in a other way.

What you are saying is that no matter what you do its not original because it draws inspiration and knowledge from what others has allready done. With that reasoning the word originality should not even excist, but it does.

Because it describes something that eventhough it might be influenced from other genres stands out, if it stands out enough we call it original.
The word excists because there is a need for a word.

Sometimes someone comes by and does something that noone else has done before like inventing the electric guitar that sure is original to me.

If you don’t think anything is original that is fine by me but your reasoning could also be a cover so that one wont have to recognise those who invented some new kind of sound or genré.

In your case I don’t belive that is was your intention.

However I still think that originality is overrated.
It is harder to do something good than something original. But the hardest thing to do is something that is both good and original.

I also think creating music shouldn’t be about how hard it is to create but how true it is.

[QUOTE]

thanx man. i’m 24 and i have had a beard since i was able to grow one. it’s pretty cool because i am just too lazy to shave, so it is an easy way to set me apart!

[quote name=‘splajn’]

Are you sure? I´m not, as far as i know I newer heard of such law.

I think quite the opposite, things can be original despite being influenced.
Ofcourse things can be more or less original. But things can even be original within a genré. There can even be original pop.

Something is original as long as noone else have done it or do it the same way. And in a way yes the one who did invent a genré first owns the fact the he/she was first.
What he does not own is the genré, anyone is free to imitate what he/she did, I don’t even think its bad to imitate a genre or a sound. Why? Because some people will even end up doing it better than the original creator of the genre or they do it in a different way expanding a genré or just keeping it alive.

I know some people claim that the original is allways best, but that is just pure bullshit if you ask me. There is nothing that say that a follower can´t be better than the creator. Sure perhaps he did not invent the genré but he might still do it better or in a other way.

What you are saying is that no matter what you do its not original because it draws inspiration and knowledge from what others has allready done. With that reasoning the word originality should not even excist, but it does.

Because it describes something that eventhough it might be influenced from other genres stands out, if it stands out enough we call it original.
The word excists because there is a need for a word.

Sometimes someone comes by and does something that noone else has done before like inventing the electric guitar that sure is original to me.

If you don’t think anything is original that is fine by me but your reasoning could also be a cover so that one wont have to recognise those who invented some new kind of sound or genré.

In your case I don’t belive that is was your intention.

However I still think that originality is overrated.
It is harder to do something good than something original. But the hardest thing to do is something that is both good and original.

I also think creating music shouldn’t be about how hard it is to create but how true it is.

exactly. its just like being normal.
originality is relative! :D
but, maybe in this case it might be better to say, original sounding?

i absolutely agree with you about others imatating/emulating/permutating a sound or genre, hearing someone else’s touch on something. there is too many oldschool jungle tunes that upon the first time hearing is so intriguing i wish i could keep that feeling forever:w00t:
of course after awhile the parts that make it seem original or are intriguing always become placid when still in the mindset. eventually you forget an when you come back its almost as unique to the ears, just not as much.

you could be right about that being a cover, personally i find it hard to ever accept anything to really ever be truly original. in this world there are so many places, soo so different than another. that when in these areas the whole seem to have a different way/vibe known to you. then you find a group or even just one person doing something completely different, but what motivates these people an groups to do this. alot of times its a rejection of a common component like complacency that they notice within themselves. but what were the actions/influences/beliefs that led up to them to do something completely different, an how many others have already walked the same path.
too many times music is like a writer that has written a story.
someone comes by, reads it, an decides to rearrange some paragraphs, ideas, characters an chapters. they end up selling it an getting reknowned for it being so original. who could say that the seemingly original writer of that story was not writing a variation of a variation of someone elses story?
william s burroughs use to take from other writers work an rearrange it like that, not completely like that but enough.

the root of my belief comes from this:
i’m going to take this off topic for a moment.
theres a book by micheal talbot titled Holographic universe a girl friend reccomended to me one day years ago. he writes about a phenomenon called the collective consciousness, all thoughts come and go from this great nexus. the more tapped in to this the more you notice others having duplicate “seemingly” original ideas. so awhile before i read that book, i had a thought about controlling midi with my mind, several months later i walked into an apartment of some other like minded friends that made electronic music an they told me about how future sound of london was using this now! needless to say i was kind of upset yet exhilarated that it was done. but at the same time i wanted to know how this had happened.
what i later found out is that ideas basically drop from this nexus into the minds of anyone wiht an open minded enough imagination to grasp them. the people that end up bringing the ideas to light are those who have the know how and resources to do so.
these people are usually called the innovators. are they original, no because the thoughts never really ever belonged souley to them, they still belong to everyone that has ever connected to the collective consciousness.
(now i just gotta figure out how to prove this exists in court, so i can f**** the shit outta them corporate copyright big wig pigs!!)

i should probably affirm, that to me, all of this is very real. but i’m not so far off as to say that i’m right, but i do like to think that i could be. :D

-back to topic-
the idea i had with controlling midi with my mind was not an original thought at all, (however it was to me an most everyone i told) after much research i found out that this had been done way before i had ever fathomed it. on top of it, that was just a natural flow of creative evolutionary thought.
just like existence can only be truly left to interperatation. i believe originality follows the same path.

this is a great thread.