how about a braile master spectrum??
colorblindness can be accomodated for… Renoise has theming so, no issue, right? (besides dumb jokes ofc)
CPU power keeps increasing, so if this feature is too CPU hungry atm… who knows, in 3/5 years it could be piece of cake.
Or draw the spectrum hardware accelerated ( OpenGL? )maybe, my GPU is half asleep while music making 
For the topicidea: +1
This is an awesome idea. I want this very badly.
Also, fun fact: Most “colorblind” people can differentiate between colors. They just don’t always see the same colors we do, or certain colors appear strange or agitate them.
Not true. Most colourblind people only have two type of cones in their eyes and thus can’t differentiate between red and green (most common.) There is no way in the world to tell if people see colours the same as you do! How can you possibly know if my perception of the greenness of grass is the same as yours? Perception of colours are qualia.
+1 as long as we have the option to turn it on or off
+1 for sure.
+1, great idea.
Yes please!
With on/off solution +1
+1
but 3 modes:
- Show all spectrums
- Show selected track’s spectrum
- Show spectrums of selected track and master channel
- infinity
+1
bump
+1 Here as well, awesome idea.
+1
+1
Especially for use in mixing bass/drums like Ledger pointed out.
Also, would be handy to be able to:
Change the decay
Set the peak freeze delay/on/off/permanent
Adjust the thickness of the lines / filled/unfilled
Great idea!
I agree with this too. Great idea.
I would love to know that I can rely 100% on the built in scopes. They seem to have got better, but I am still not sure about them.
Any improvements like this from me are very welcome.
This sounds awesome!
It’d also be nice to adjust the scale, FFT, etc of the spectrum analyzer as well.
+1
+1 as well as for “colour-coded elements from the individual tracks” (quoted from original poster). Every time I overhaul my workflow, this type of needed metering pops up.
If cpu is a problem, then limit the amount of tracks that can be displayed ? and as vV pointed out, a snapshot at a particular point in time would be great to see options that in my humble opinion, is not always possible with hearing something.
Example: a slightly filtered square wave kick at an absolute length of 0.8100 seconds, 35721 samples, 3/16th notes, morphing into an FM based kick. What type of snare will I build now ? …Oh look, I have some spectral space that’s a perfect fit for that spectral snapshot I took of that metal truck that Batman pulled upside down with his Batpod. Maybe I will compose a short a nondestructive clip based on that.
It paves a different workflow for the user to walk on. The user can stay in Wonderland, or see how deep the rabbit hole goes.