Well, That was actually quite a good response/retort explaining it all… You see it’s not really a problem as to becoming proficient in SunVox other than trying to get away from that same-o ‘SunVox Generator’ sound which makes all sound so similar, It’s the musical technique behind it…
I outlined this in another thread in case you or anybody else wanna look, I’m not gonna paste it here-
As to SunVox I was rallying for any kinda sampler format support over 10 years ago… I don’t care what it is SF2/SFZ/AKAI/EXS but nope… This was so others who don’t really wanna focus on the same ‘SunVox Electronic Sound’ & would like to introduce real instruments combined with the internal FX had something to grasp on as trying to map out a HiQ instrument in SunVox back then was a real pain… I can get just as rich a sound & way more variance in Skale Tracker using HiQ AKAI that I make every semitone sampled plus Skale does Synth VSTi & VST Plus many others…
So to explain this allows one to make bluegrass/country/jazz/rock/motown/funk/dixieland that cannot be done just with an ‘Electronic Sound’ which almost always come with too many FX ‘Coatings’ covering for a lack of musical understanding… If you read that link you’ll know what I’m talking about…