I am able to contribute a piece to Chris Vaisvil’s SoOn 2009 contest after all:
(Streaming)
http://www.ozanyarman.com/musics.html
(Download)
http://www.ozanyarman.com/files/music/Sabastorm.mp3
This new piece is called “The Saba Storm”. Catchy, huh?
The scale employed in the composition is that of the Saba maqam, or else a Yarman-36a subset for the scale of said maqam. The 12-tone subset scale chosen from my notorious Yarman-36a tuning is given below:
Yarman-36a Saba maqam with perde rast on C
12
!
148.23705
198.74659 D
347.40794 Eb (quartertonal)
381.44577 Ed
501.35622 F
649.32179 Gb (quartertonal)
699.74399
801.68275
896.75720 A
1001.88049 Bb
1079.85183
1200.00000 C
Don’t be surprised if the established theoretical models (Turkish, Arabic, Persian, etc…) fail to faithfully represent maqams. You need something like Yarman-36a to render maqams like Saba, Ushshaq, Huzzam and Karjighar satisfactorily.
In the piece, I warped the Congas.mp3 sample by Norm Harris. It’s hard to recognize, because the waveform has been reversed and processed with carefully chosen Logic Pro 8 plugins:
1-SpecGate: Dark Super Energy
2-FuzzWah: Crunchy Overdrive
3-EnVerb: Rolling Up
4-SpaceDsn: Modula B Delay & Hot Plate
5-Limiter
Notice how the original Conga beat is transformed to an ethereal Saba aire in the background, which seemlessly intertwines with the “Saba-ishness” of the composition. Who would have guessed that the inharmonic spectra of congas would be so suitable for maqam Saba? The pitches of the congas match delicately with the Yarman-36a Saba subset.
Due to the limitations with the chosen scale (Logic Pro does not allow on-the-fly tuning changes), modulations are very limited. There is a savoury modulation to Ushshaq and later to a diminished Segah pentachord as the piece progresses. But Saba on D dominates throughout.
The length of The Saba Storm is 5:10 minutes. The size of the mp3 file is 3.9 MBs.
And yes, I am the one who sings the “gazel” vocal in Turkish. If anyone wonders what the words mean, just ask me!
This is my first true attempt at electronic microtonal maqam polyphony.
Comments are welcome!
Ozan Yarman
http://www.ozanyarman.com