no difference in resolution between the two, but i use 8 lpb and 400 bpm so the highlighted lines are positioned closer, thus a good visual reference that, in most cases, keeps me from having to reference the hex.
this is what most producers do for complete songs. but the break rinse i describe is only one track in this case. the break maintains relative sonic character by undergoing identical dsp. the technique i’m describing is a very simple method, for a very specific subgenre, and used in only one track of the final tune. nothing to get twisted up about if you don’t find it useful to your taste.