Hi… You’ve got the attack at .oo1, and the release at .001? Is that right?
I think the compressor, has become over used, and I think that it gives us all terrible production habits. Threads like this, are very good, cause they allow us to check ourselves, before we wreck ourselves… So to speak.
If we are making, “a major label pop album.” that is going to be a totally different story… But to make great music… an acoustic piano, with a 4:1 ratio is probably doing yourself more harm than good. For one thing, you are making definitely making your ears become accustomed to the compressor.
So what’s the point of a compressor in a mix? Tames peaks. Why? So the volume is not popping out, and things are balanced. Balanced is the key. Well, what about pumping and slamming compression on my drums? Yep that exists. And what about squashing my master too? Also exists.
Using a compressor to tame a transient, would take at least 10 milliseconds… ( That’s just a guess. but that’s my guess.) And having an attack of at least a millisecond or two on a piano couldn’t hurt. ( but keep in mind, I haven’t heard the piano, and I’m just going by what you are saying, "its got fast transients on the high freqs.)
Really, for accoustic piano, I’d treat it more like a vocal. With a ratio less than 2:1… ever so slight gain reduction… make up gain is optional… Usually, what I do… Is never use the make up gain. I make things in my mix, quieter instead… unless my mix is already whisper quiet… Here’s the funny thing… When your mix is pretty quiety, and things are not so gained out… You can than beat that master track… Ruthlessly! You can Duke Nukem that waveform to hell, and you will get a really loud master… You are pretty much saving all your clipping for that one final squash!
Getting a great result with a compressor is really hard… You have to think, “i’m using this to tame peaks, to balance my volume,” if you are worried about transients… There are some other things… Even lowering the velocity, and using a filter… ( I’m not big on transient shapers. )
Ok… whatever, I’m just mumbling… Accoustic piano? try an attack of like 10 or more milliseconds, and release of say 20 or 30, or even more… Seems like modern music is all about these short attacks and releases… You can probably put a 50, or 65 millisecond release on that…
http://www.soundonsound.com/
^ I bet they’ve got crazy amounts of tips on compression