Thank you for sharing. This topic have been a good read.
Man I love Vordhosbn, I remember I used to listen to it at least once mixed with Noisia, Autechre and The Flashbulb when on the subway to school 10 years ago. Vordhosbn was always the best part.
But what is with tracker people and really weird/colorful/bright themes? How can you not want night mode.
look, life is all about severely optimized workflows.
i trust his workflows to be severely optimized, increasing the quality-of-life of tracking really quickly.
he was apparently the most active requester of features for PlayerPro, so itâs very much tailored to his method of working.
Yes, you can stop making music, and âbypass all devicesâ, if you have 12 devices, you only need to click 12 times, and move the mouse every time. and then press a button to render the track.
thatâs not as fast as doing it with one shortcut / menu entry. it should be.
This was implemented for a few versions around Renoise 3.0 (canât remember when exactly) and then got removed again when we unified the mouse drag handling.
No one cared, no one missed that feature, so itâs obviously not critical.
I donât quite understand how useful it is to be able to drag samples from the instrument box into the pattern editor.
If so, what would the operation be like? Can you show us a demo of a slow operation?
Itâs just a little thing. all it does is, you select an instrument in the instrument box, you drag it to the pattern editor, and out comes C-4 of that.
i.e. âdefault âjust play sample as it isâ pitchâ.
PlayerPro 4.5 does not have this, but PlayerPro5.9.8 probably does. if only i could find a version of PlayerPro that is 5 or 4.7 or something, maybe that already has it.
Ah, I see. So the operation is intuitive because you play it back as it is.
There are more needs for outputting C4 than we might think.
For example, it is used for pre-recorded vocals or voices.
Since 255 instruments can be created, the operation of manually picking up random samples from among many variations and wanting to output C4 in an arbitrary column certainly seems like a nice, fairly intuitive thing to do.
exactly. i think one interesting thing would be to think, what if you drag 6 instruments from instrumentbox to pattern editor. do they appear in row1, row2, row3, row4, row5, row6? maybe they do. a modifier key like alt or shift or ctrl could make them appear like sample1,row1,track1, sample2,row1,track2 ⌠sample6,row1,track6.
(kinda like what 0G01 Loader in Paketti already does)
By dragging the instrument into the pattern editor, it becomes a kind of mark to reserve an area for a column. Melodies and rhythms can be created later.
I imagine that it would be possible to create an approximate overall structure in this way, and then start creating the individual details.
This also seems to me to be quite essential.
One of the prescriptions for âdecision fatigue,â which is a typical problem in digital editing, is probably to abandon this state of being a nobody with unlimited possibilities and crystallize the work into a single point of no return.
Itâs also important to note the benefits of trackers, managing on a sample basis to stabilize the environment, DAW environments can break down quickly. I felt that it may be necessary to view them as playback files, like MOD or XM files, rather than project files.
I did not know that samples could be dragged and dropped into the pattern editor.
That would be very useful, as I also wrote above.
Instruments and samples are different things: xnri and sfz instruments, plug-in instruments, instruments with samples copied and pasted from the Sample Editor or generated by tools, MIDI-output-only instruments for playing external instruments, and samples recorded with the Sample Recorder instruments, etc. cannot be dragged and dropped.
It would be very useful to be able to drag and drop those as well.