Okay, I’ve just downloaded 2.5.1 and had a play with it. The Pattern Matrix has basically ignored what WORKS with the Buzz Sequence Editor (and which massively increases your workflow by allowing keyboard use instead of mouse use), and put in a load of unnecessary stuff (such as the ability to change the colour and size of the pattern blocks…)
So you have a series of practically useless ‘graphical representations’ of each track, and they’re useless because you could have ten drum tracks which look the same in the Pattern Matrix, but which have small differences in them, which you can easily hear in the song, but can’t SEE in the Pattern matrix.
You can’t just enter a number for the pattern that you want to use. You can’t give the patterns a name so you can view them that way, which would be much more meaningful than a series of coloured blocks. And so you can’t just press ‘1’ to insert pattern ‘1’ wherever you want it, as many times as you want. (Please correct me if I’m wrong, I’ve only been playing with it for ten minutes.)
So the two massive advantages that Buzz’s Sequence Editor offers over all other trackers, have been totally ignored, and instead we have a half baked job which doesn’t actually help the composer very much.
In Buzz I can call my individual sequences whatever I want - 01 could be “Start”, 02 could be “Verse1”, etc. and I can just press ‘1’ or ‘2’ and place these sequences wherever I want in the Sequence Editor, using the keyboard alone, no need to muck about with the mouse. Because of this, I can SEE the structure of my song instantly, and unequivocally. I know that “Start” is at the start, because it says so - I don’t need to look at a tiny, shrunk down approximation of the pattern and try to work out which sequence it is.
I just don’t understand how you Renoise users can write songs with this massive handicap imposed on you all the time, it’s just ludicrous. How long has Buzz been in existence? 10 years, or something like that?
Why didn’t the Renoise team just use random representations of flowers, or something equally useless and obscure, instead of the shrunk down view of the pattern? I mean, how could anybody actually design this, and then spend their time working on it, and NOT see that it’s not the best way of doing things? Don’t any of the people who work on Renoise ever look at Buzz?
So as it stands, I still can’t use Renoise, I wouldn’t even attempt it.