I like Korg gear and I have the Triton Taktile midi keys controller, Nano Keys and Nanopad lying around somewhere…
The pads on Triton Taktile and Nanopad are quite different. The nano Keys setup is exactly what you will have on the NanoKey Studio. It’s good enough to play and feel keys and is velocity sensitive as well, feels more like pressing buttons but better than your computer keyboard. The XY pad on both Taktile and Nanopad are basically identical in feel and function, and both axes can be individually mapped to CC parameters or used internally to trigger Touch Scale feature available in all these products. You can also control pitch bend and modulation from this pad. The Korg Kontrol editor software let’s you change the mappings for CC control to any thing you want.
Knobs are not exactly tough built but kept with care it will last. The backlighting on Taktile pads is Red/Blue and Nanopad does not have any. So this feature can be useful and it’s available in the nanoKey studio.
Korg pads are never that inspiring to my tastes and feels rather stiff and can ghost note on occasion.
If NanoKey is attractive to you, you can also try Alesis VI25, Maudio Code 25 and the 25 key version of Korg Triton Taktile. The benefit of using Taktile is that they have the sound bank of Triton keys so that it can function as a standalone unit as well giving playability over line out or phones and it runs on 5v usb power. They all have some amount of knobs and pads and the Alesis and Code version have a full 16 pad midi setup.
NanoKey Studio is a combination of the nano series products so ideally if you purchased the nanoKey, nanoPad and nanoStudio you already have a modular nanoKey Studio.
If squishy feel is important and various midi expression control then a Roli product would be more up you alley.
@Raul I always wanted to ask you about your orchestral music setup and would like to listen to your released stuff Maybe you can provide some links I can visit. Also what orchestral books would you recommend or that you learn from. I find the Alexander publishing series of orchestration tutorials quite well organised. Art of Orchestration by Adler is another one which I can never seem to find the time to finish. Rimski Korsakov wrote his seminal manual Principles of Orchestration which is a little too old world and involved for me especially since many years back as I was reading it I had a strange experience that scared me: after 4 days of continuous reading and deciphering his slower string passages and working out their voicings, I took a break and had a cup of coffee and very eerily some orchestral music started playing my head that sounded like some old world symphonic piece, I started to go with the flow and I found that I could change the tempo and mood of the music I was hearing and even though I could not intellectually make sense of anything it was as if I was listening to a very complicated piece of music way beyond my orchestral skill level and somehow I was participating in it by guiding it’s pace and emotion, this happened for about 3-4 minutes the music started taking a very dark tone and I freaked out and stopped immediately after that. I find it difficult to open that book and feel it has has some sort of occult magic to it or something.
Anyways, good to have your info on this topic.