some random thoughts by me :
(If I refer to taktik here I actually mean the whole renoise team, sorry that I am too lazy to point that out all the time)
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I guess that we all agree that one-time donations are a good way to show our appreciation, but not really a way to speed up the development. Ofcourse we could start something like “provide a nicer vacation for taktik (and the rest of the dev team)” or something like this by donating money so that taktik is f.e. able to go to some more distant location then the “mecklenburger seenplatte” on his normal summer-vacation and relax abit more , but the point is that you can’t buy time with the amount of money we are talking about. I don’t know what taktik is currently earning per month (and I dont want to know) but I am not sure if its really possible to gather atleast 300 people willing to pay 10¤ per month for years to make taktik
-quit his job (that he loves, I guess)
-be ready to deal with the hassle of explaining the german tax-office what exactly he is doing
-be ready to argue with people that pay 10¤ per month and start to expect things on a much higher level
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they are sponsoring demo-parties already. I won a renoise license at last years evoke and gave that away to amove because he hadn’t bought renoise yet.
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I wrote this some time ago, some more developers would be useful maybe, but again if people haven’t contacted the dev-team about helping out yet I guess it would be a little bit strange if they did now that this whole “money” thing comes up. Also I know that it’s even alot work to comment/organize and explain your code to other people so they can work on it.
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I dont think that there are still people from the “scene” that don’t know about renoise, honestly. RNS is meanwhile an accepted format at every major demo-party, there have been reviews and links all over the place and so on. Maybe there are still possible users out there that don’t know about Renoise, but I guess these may be people that once started on trackers on Amgia and PC and switched to Cubase/Logic long time ago, and I am not really sure they want to go back or want to switch to an entirely different program.
What I think however is that there are users that don’t know about or don’t use the community-options here (the forum), I was at breakpoint and spoke to about 12 people having renoise running on their PCs, only two of them (ptrance and keith303) were active on this board.
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And on the whole business thing :
It really depends on how taktik defines this renoise project for himself. We all know he is mainly working for ableton and I read somewhere that he basically started renoise for himself. Still the question is how “serious” he takes renoise (and that is not something I judge about).
If its a hobby he does beside his work, then thats okay and all I can do is hope that he has enough time to work on renoise and hope that he implements the features I want and I know I cant force that in any way.
If he likes to step the development up and bring renoise to other levels then in my opinion there would be some ways to do that.
I was honestly surprised about revisit, this “tracking vst”, because that is something that imho renoise could have been a long time ago. Make a VST version and provide a tracker-like sequencer for Cubase/Logic. As I said, I guess there are still alot of people around that once started with trackers, now use piano-roll-programs but still remember advantages of trackers and may be happy to use that. that is a “market” that is out there. so, imho if the renoise-team really wants to get more users the only way is to convert renoise from a fully standalone application to a plugin-capable program that can be used within cubase etc. maybe as a “stripped-down” version or something.
another way would be to market renoise as a tool for loop-creation for ableton live and similar programs, especially drumloops and similar.
but lets face it : you wont find an awful lot of people willing to let go of cubase/logic to switch to renoise. won’t happen.
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well, those are the things I can think about at the moment.