ah, you get it. Not sure if a strict emulation is doable with this tool, but I imagine so. Perhaps @Achenar will weigh in.
Glad you like the squelch. it’s a psytrance staple, and easily done. saw wave with pitch modulation and resonant BP (or HP) filter. pitch mod and filter are moving in OPPOSITE directions. tune to taste, process as desired
If we could get per phrase lpb & bpm control, speed controls outside of the songs general lpb & bpm, this would open so much more sound design possibilities. Hooking up these to macros, automation and/or special pattern commands to program gestures/textures per phrase.
It is possible to create multiple (identical) phrases that have different lpb values and automate the phrase number via a hydra-tied instrument macros device. the only problem is that the phrase change only updates with a new note event, so, afaik, it’s not possible to have cleanly sweeping lpb values unless you have a phrase-triggering note event placed on every line (or every other). However, depending on the phrase’s construction, this can be a very useful modulation possibility!
I begin to think it would be nice with a forum folder for specific “tricks”… I just watched a yt about mimicing a synthesized a classic detuned saw (used as a reece bass) but the setup is a valuable lesson.
Maybe im just thinking this because i used renoise so much lately. But it seems as renoise has so many possibilities that it sometimes feels impossible