So this Phrase selection thing, another problem with the implementation as it stands is that if I want to create some LPB 6 Phrases with nice triplets to adorn my vanilla main pattern data and I want several Phrases available, then I have to start using different octaves to trigger those Phrases.
Now the problem here is readability. When you look at your main pattern the melody or whatever you are working on looks completely disjointed. There are some notes there from the main instrument playing the line, then other notes (which are phrases) that are in different octaves.
To be clear, I’m using phrases here to add triplets and other interest to a main melodic instrument that I wish to play in several pitches like any other instrument in the arrangement.
I really do feel like the Phrases/Keyzoning thing needs some consideration because, as it stands, it makes integrating Phrases into the pattern rather confusing when using them melodically.