The following are the review from the musicpaper Studio, translated to english from swedish. Be indulgence, I am not that great in english…
Renoise 1.281
Product-type: Tracker with VST-supoort, integrated sound and complete midi-support.
Developer/contact: Renoise (www.renoise.com).
Systemrequirments: Windows 9x/Me/XP,Atholon/Duron/Pentium, 400 MHz, direct x-compitable soundcard.
Formatsupoort: .ntk, .xm, .it, .mod, .nti, .xi, .fxb, .wav, .aif, .snd, .ogg, .mp3, .xml.
Price: Approximately 330 kronor (translating = (around) 30 dollars) including VAT.
The advantages:
- Good effects.
- Many functions.
- Relatively easy to get going with.
The disadvantages: - Confusing interface.
- Hexadecimals complicates the management.
- Note-off-commands has to be written by hand.
- Insufficient documentation.
Overall rating: 8/10
(Text beside a picture which shows Renoise in the condition when you have just started it): This is the heart of Renoise. Everyone that has been worked with a tracker should recognize oneself. In the sequencer-part show noteinformation in the form of letters, numbers and diverse symbols.
Tracker in modern suit
The homecomputerworld of the 80’s gave origin to the first programs in the tracker-category. Renoise take the phenomenon to today through for instance supporting vst-plugins.
Imagine a tracker of a classic fashion, add 64 polyphony soundchannels, vst-support and asio-drivers. You can actually stop dreaming - Renoise contains all of these functions and a lot of other stuff. The interface of Renoise is devided into three parts which all manage different, but sometimes overlapping, functions… The middle part is the heart in Renoise: the sequencer.
On typical trackermané reproduces the noteinformation with letters, numbers and diverse dymbols. Every channel has in baseposition one track for notes and one for noterelated effects, everything from panning to arpeggios. The channels can though be expanded to hold up to ten tracks for notes and four for effects. To the left there is also buttons to add up to 64 tracks and to connect midi-signals from extern hardware with Renoise.
Decide order for sequences
In the top of the interface you decide in what order the different sequences will be played. Here you also manage load-up of songs, tracks, samples and instrument. When a sample loads into Renoise it automaticly creates a new instrument. Then several samples can be loaded in the same instrument and be placed on different parts of the claviatur to create multisampled instruments or drumsets. Afterwards can the samples be used through filters, effects, volume-envelopes etc. The filtersegment offers a lot of surprises, first in the eightpoolfilter which cuts 48 dB per octave, but also in the two Mood-simulators and am-filter which offers dirty ringmodulator-alike effects.
The system to create multisampled instrument is unfortunately not especially intuitive. You choose first a sample to the right and then click on it or the buttons which the sample will be mapped on the virtual claviatur. There are unfortunately no way to lock these, so it is easy to remap the samples by mistake. There is not iether possible to create multisampled instruments with keystroke-sensitive layers.
The sample editor can hardly make any great achievements. It is mostly there to adjust volume and loop-points. Any real effects doesn’t exist, but are on the other hand not necessary because the effects which are available to apply on the seperate tracks are possible to use even here. Besides can the effects be “burnt in” into the sample to set free processorpower.
One interesting fuction is the so called “sample-offset”-effect, which apply directly in the sequencersegment. It can be used as a powerful but complicated variant of the loopmanager Recycle. By writing 09xx in the effecttrack on the current channel, where xx corresponding to one hexadecimal number between 00 and FF (corresponded 0-256 - decimal counted) dislocates the chosen sample startposition. The function can be used to split up loops in seperate drumbeats, which works surprisingly good. Down on the screen you reach additional different functions, the effectpart for instance. Here exists everything from compressors and eq to chorus and phaser and they sound for the most part good. Have you still problem to get “that” sound you can load vst-effects. These are shown with Renoise own grafical interface, which at times does it tricky to understand what the different regulations controls.
Below “Instrument Settings” you reach configurations for midi-out, the tunings and volumes of the samples. It is also here vst-instruments are loaded. In the difference from vst-effects you can open the current vst-instrument controlpanel. Unfortunately the management of extern midi-untis and vst-instrument gets a bit tricky because the corresponding note-off-command, regardless if you write down the notes by the keyboard or play “live” via midi-claviatur, you have to write it down manually.
Summary
Renoise is undoubtly the most powerful tracker on the market and a worthy competitor to ordinary recordingprograms in the aspect of functions. The program demand that you have acces to a somewhat complete and high quality soundlibrary. One of those aren’t included namely. Renoise is relatively easy to understand, but that somebody would change from an ordinary recordingprogram to Renoise is unlikely.
This is a “tracker”
The first tracker-programs showed up on the homecomputer Commodore 64, but Soundtracker on the Amiga are generally treated as the first real tracker. Since then it have been developed a lot of tracker-programs, not rarely by happy amateurs. That represents that there is a lot of good and orthodox solutions, but also that a lot of projects which have been released in half-completed condition when the developers has become tired and given up.
The news in version 1.5
Since the test have the Renoise-developers revealed some part about the news in the upcoming version 1.5. Among the news there is a new userinterface, drag-and-drop functions, new effects, improved automation, midi-inport and improved vsti-management. Last but not least the program will be run on Mac OS X.
So that was the review. I thought it was OK, I wonder how it would look like if they reviewed the upcoming version though. I also think they would’ve mentioned the very cheap price. I mean, you get very much considering the price. Anyway, I have some other comments on the review:
Reviewer says: “Hexadecimals complicates the management.” (Under the disadvantages category)
Kricke says Well, isn’t that an option to change to ordinary numbers (decimal-counting) ?
Reviewer says: The sample editor can hardly make any great achievements.
Kricke says I think it rocks! And any effects on samples aren’t needed, just use the track-effects.
Reviewer says: One interesting fuction is the so called “sample-offset”-effect, which apply directly in the sequencersegment.
Kricke says I barely use it, but it is good. Nothing new, it was already in FastTracker II!
Reviewer says: The system to create multisampled instrument is unfortunately not especially intuitive.
Kricke says Well I never use this multisampled function. If someone wants realistic samples today, they use VSTi’s, don’t they?
Reviewer says: … but that somebody would change from an ordinary recordingprogram to Renoise is unlikely.
Kricke says This brings me to a question, has anyone done that? I think Xerxes did.