I’ve got this one friend who refuses to use trackers, but he also pretty much refuses to use any music program that isn’t Opcode Vision from the 80’s. So I keep trying to sort of “sell” him on the idea of a tracker, mostly since I’m almost equally stubborn about using a piano roll to work on projects with him.
So what are your experiences working with these “piano-roll” people? Is it just a matter of being flexible yourself, or do you try and convert people to trackers? And if you do try and convert people to trackers, what’s your level of success? What do you say? How do you go about teaching them?
The most technical studio engineer I’ve met was interested in trackers, but only in a gee-wiz kind of way. So my feeling is that piano-roll enthusiasts either are too entrenched in their particular environment to switch, or look at Renoise and see a very technical, hot-key driven, complicated program.
My opinion is that trackers are/were designed for electronic music, where you have to be able to look at automation as much or even more then notation, whereas a piano-roll is used to simulate traditional styles of music, and hence it more closely resembles a staff and devotes more screen real-estate to notation.