Is that the GridPie in Duplex?
Yes
a fast way to create custom tuning scales or even just a drop down menu to quickly select scala tunings without having to use any tools or multistep processes.
an LFO that does not reset each time a new note is received. *toggle option?
Iām still hoping to have a way of skipping pattern sequences - either by collapsing a sequence of patterns in the sequence listā¦ or worst case scenario: by addition of a ānext sequence = xxā player command that indicates what the next sequence to jump to should be.
More details in my post: here
Ability to draw a gain curve (like automation) directly in the Waveform view? I always find no amount of modulation or fx will make a sample sound good if it doesnāt have the right volume envelope (like removing the ADSR of a sampled synth before using modulation), thereās a lot of possibilities with this, I always have to go to another daw to do it. Currently the options to create fades and change gain on selections only work on things like hihats and drums or very short samples. You can avoid tons of mixing problems with this, like not needing to use compression as much.
Yes, this would be great. +1
I find thereās a lot that can be done with fade in and out and the volume adjustment function in conjunction with snapping at zero crossings, but it would be great to have a more modern and user friendly option. Drawing amplitude curves directly on the editor would be boss. While weāre at it, letās get some warping handles, too.
Iād love to see enhanced sample drawing tools as well, spline curves, basic shapes and the ability to interpolate them, etc
More accurate envelopes
Ability to crossmod and ringmod oscās before the filter
The AM shapes in the filter section are great but we lose polyphonic filter .
Ideally something like this with a second filter block , or perhaps some inspiration from the old Roland rompler structures for cascading filters , ringmod structures, booster (which is essentially a hard clipper and we have that already , the dist set to razor is a hard clipper .)
MIDI out for Redux. Pls itās been 6 years. The good bits of Renoise I would want in another DAW are the interface and sequencer, not the samplerā¦ (already got several.)
Maybe just an upgrade to the samplerās synthesis capabilities. The granular and FM capabilities plus true wavetable stuff. Not an additional set of phrase-work, but actual additions to.
In reality, the FM stuff could almost be nullified due to the way a good wavetable synth could work. Itās almost FM-sounding in the way the cross fades happen between wavetables. In replacement, add warp distortion or something like that. Light touches of that would sound very wild.
Iād love a note-off event mask in the advanced edit panel. I often want to nudge only note offs and it would be great to be able to isolate them
do you mean in the instrument modulation section? If so, you should check out ghost notes (removing the instrument number in the pattern editor or phrase editor)ā¦ they allow you to trigger a new note but continue on with current modulation envelopes
Iāve never used Renoiseās EQs but every time I see them in the DSP list I feel bad for those that do. In music, the biggest contributor to what makes something sound modern is precision of EQs. So, probably biggest changes that are required are:
- Bigger graph window with ability to maximize
- Background spectrum rendering (incl. sidechain option) so that sculpting/masking/unmasking is possible - this is also crucial for identifying and handling problematic resonances in a signal
- Switch to āadd point methodā and use a default view that has no points at all
- Switch to a different curve formula and ability to āhover over + ctrlā to change Q width
- Control point mode selections in addition to the standard bell: high & low cut, tilt
- Control point stereo placement options, left, right, side, stereo & mid
- Master gain scale fader
Then remove all current EQs from DSP list but retain loading of them if they are used in a saved song (these need to be buried so that new users donāt suffer from their poor quality)
Right-click and drag controls q-width. Holding shift while left-click drag locks the frequency and only allows gain changes, holding alt with left-click drag locks the gain and only allows frequency changes, Handy for quick editing. Holding control during any mouse-click and drag enables precision adjustments.
For someone who donāt use evelopes at all:
- renamable fx columns
- lock a automation to a specific fx column
- highlight of the automated slider when youāre hovering over the pattern fx command
- highlight of the fx column when hovering over the automated slider
- show the name of the assigned slider of a fx command always in the bottom left when highlighted with
the cursor. Not just when entering a value. - auto sorting of pattern fx commands
- overlay or an additional collapsable vertical visual envelope per fx column taken from interpolated pattern
fx commands or so
Like the LFO which has an Ext. Editor that opens up a big window, then overlay the sound in the back like modern EQs, that alone would be a big upgrade.
Or even just project the eq curve onto the spectrum analyzer window
Came here by searching forum for a possible solution, 'cause Iām exatly looking for the same thing:
Midi Routing within Renoise from one VST (genrates midi notes) and route it directly to multiple Instruments (VSTs), not only one.
This would be so awesome to me to have.
Taktik hiring another coder, which can do more coding work and make Renoise even more huge.
^^^ wish I could heart this 1000x ^^^
would love to see a robust and feature rich renoise of the FUTURE
We are waiting for new release [and you, devs, know it], despite the fact that newest version was released almost āyesterdayā.