Just wanted to see if this is useful to anyone else or if parts of it are disputable in order to make it more fluid.
Audible Sections A B C is located at column 1 2 3. I’m using a short one shot sample for a metronome that you may change in pitch or volume. I’ve muted those columns and lowered the track volume by default.
Non audible Sections A B C located at the fourth column are just information explained by the following…
Section A (fourth column: volume)
only 2
only 3
Ex: 4/4
Section B (fourth column: pan)
2 and 3 part 1
Ex: 7/4 (moving 2 and 3 around variates it more: 223 232 322)
Section C (fourth column: delay)
2 and 3 part 2
I don’t write on the templates, I just pick, for example I 7 from a total of 14, double up and make one of them “unique” so I get a clean copy to work with.
I’m sure some meters are unnecessary, so delete what you think doesn’t work. Its 8 LPB… shrink and expand accordingly.
I’ve categorized them in Roman numerals because of synching vertical poly meters… something like that, it was a long time ago. I actually don’t experiment much with vertical poly meters. (standard definition of vertical, not the Renoise definition)
Keep in mind… how pulse meters are sonically perceived depends on tempo.