Sorry, yes that was a feature suggestion. The tools mentioned above already provide that function in a different way.
By my reckoning, if that feature was implemented it would make it easier for new users who are coming to renoise after having already used a piano-roll or step-sequencer approach to writing music for some time.
In piano-roll sequencers and step-sequencers (or even notation sequencers), as opposed to trackers, the user doesn’t have the need for a calculator or separate tool to work out the number of ticks or delay column units (256ths of a line) per tuplet note. They just press the triplets button and enter notes, pressing it again to turn triplets off and go back to straight beats or non-irregular note groupings. However, most of those sequencer types are limited to only providing for triplets. No quintuplets, and so on.
In renoise and all trackers it can get complicated with different “lines per beat” and “ticks per line” settings being available.
Here is a quick description of various tuplets:
– duplets –
– 2 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 2 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 2 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 2 in the duration of 1 beat / crotchet / quarter-note –
– 2 in the duration of 2 beats / minim / half-note –
– 2 in the duration of 4 beats / semibreve / whole-note –
– triplets –
– 3 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 3 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 3 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 3 in the duration of 1 beat / crotchet / quarter-note –
– 3 in the duration of 2 beats / minim / half-note –
– 3 in the duration of 4 beats / semibreve / whole-note –
– quadruplets –
– 4 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 4 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 4 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 4 in the duration of 1 beat / crotchet / quarter-note –
– 4 in the duration of 2 beats / minim / half-note –
– 4 in the duration of 4 beats / semibreve / whole-note –
– quintuplets –
– 5 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 5 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 5 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 5 in the duration of 1 beat / crotchet / quarter-note –
– 5 in the duration of 2 beats / minim / half-note –
– 5 in the duration of 4 beats / semibreve / whole-note –
– sextuplets –
– 6 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 6 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 6 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 6 in the duration of 1 beat / crotchet / quarter-note –
– 6 in the duration of 2 beats / minim / half-note –
– 6 in the duration of 4 beats / semibreve / whole-note –
– septuplets –
– 7 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 7 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 7 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 7 in the duration of 1 beat / crotchet / quarter-note –
– 7 in the duration of 2 beats / minim / half-note –
– 7 in the duration of 4 beats / semibreve / whole-note –
– octuplets –
– 8 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 8 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 8 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 8 in the duration of 1 beat / crotchet / quarter-note –
– 8 in the duration of 2 beats / minim / half-note –
– 8 in the duration of 4 beats / semibreve / whole-note –
– nonuplets –
– 9 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 9 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 9 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 9 in the duration of 1 beat / crotchet / quarter-note –
– 9 in the duration of 2 beats / minim / half-note –
– 9 in the duration of 4 beats / semibreve / whole-note –
– decuplets –
– 10 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 10 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 10 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 10 in the duration of 1 beat / crotchet / quarter-note –
– 10 in the duration of 2 beats / minim / half-note –
– 10 in the duration of 4 beats / semibreve / whole-note –
– undecuplets –
– 11 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 11 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 11 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 11 in the duration of 1 beat / crotchet / quarter-note –
– 11 in the duration of 2 beats / minim / half-note –
– 11 in the duration of 4 beats / semibreve / whole-note –
– dodecuplets –
– 12 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 12 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 12 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 12 in the duration of 1 beat / crotchet / quarter-note –
– 12 in the duration of 2 beats / minim / half-note –
– 12 in the duration of 4 beats / semibreve / whole-note –
– tredecuplets –
– 13 in the duration of 1 / 8th of a beat / demisemiquaver / thity-second note –
– 13 in the duration of 1 / 4 of a beat / semiquaver / sixteenth-note –
– 13 in the duration of 1 / 2 a beat / quaver / eighth-note –
– 13 in the duration of 1 beat / crotchet / quarter-note –
– 13 in the duration of 2 beats / minim / half-note –
– 13 in the duration of 4 beats / semibreve / whole-note –
It seems to me that the terms “duplet”, “quadruplet” and “octuplet” function only as another way to describe a grouping of straight beats, whilst “sextuplet” and “dodecuplet” are really only describing groupings of triplets. I’m not quite sure whether a “nonuplet” is basically 3 triplets together or not. Probably not.
Anyway, some of the extra fast ones which will require several columns to enter, will work as different types of strum or buzz roll.
For example, guitar strums will often be based around fast sextuplets.
Inside both the harmonic series and rythm, systems of proportions within systems of proportions…divergent infinite yo